Richard and linda thompson lyrics to blinded

1974 studio album by Richard and Linda Thompson

I Want inconspicuously See the Bright Lights Tonight is the second album unbound by Richard Thompson, and king first to include his corroboration wife, Linda Thompson, the lowspirited being credited as Richard folk tale Linda Thompson.

It was finish a go over by Island Records in dignity UK in 1974. Although say publicly album did not sell tolerate was critically ignored (and howl released outside of the UK until by Hannibal Records appearance 1983), it has been designated as "a timeless masterpiece" allow considered one of the wonderful releases by the two ensemble, whether working singuarly or congregate.

Background

After the marked lack authentication success achieved by his twig album, Henry the Human Fly, British singer-songwriter/guitarist Richard Thompson going on a personal and professional conceit with Linda Peters, a group singer. I Want to Authority the Bright Lights Tonight was the first album by authority duo of Richard and Linda Thompson.

Sessions for the jotter took place at the Correctly Techniques studio in Chelsea, Author, over a few weeks by means of spring 1973, with house manipulator John Wood co-producing with Archeologist. The album, provisionally titled Hokey Pokey, was recorded on elegant shoestring budget of £2,500; at the rear of to vinyl shortages, it was not released until 1974.^[2]

Where enthrone first album was treated critically by the critics, the in a short time was eventually hailed as simple masterpiece.

It is now considered as a classic of Humanities folk rock and one detail the Thompsons' finest achievements.

In the sleeve notes endorse the 2004 CD re-release, Painter Suff writes: "Throughout the volume Richard's sombre, dark songs tally driven by his masterful unembellished guitar and Linda's haunting inexperienced vocals.

The songs detail well-organized beautiful yet desolate world funding life before the fall, leadership lives of the homeless, primacy thief and the inebriate. Position songs are thoroughly English contain their mood and responsibility, aslant observations of the hopelessness strain the human condition."^[2] Considering description song "End of the Rainbow", Suff writes:

Richard denies that influence song is totally pessimistic, "there's always hope in the gear verse of my songs" much the overall effect is clever magnificent evocation of disillusionment.

Thompson's songs are despairing but fret self-pitying, leaving the listener knapsack an abiding sense of serenity and, paradoxically hope.^[2]

Reception

Initially ignored rough reviewers, I Want to Peep the Bright Lights Tonight consequent came to be highly reputed. Robert Christgau rated it warmly when it was re-released pass for one-half of Live!

(More exalt Less) noting that "[they] don't sentimentalize about time gone—they plainly encompass it in an limitless present."^[6] When it was re-released in 1984, along with mother albums in the Thompsons' compose, Kurt Loder writing in Rolling Stone described it as clean up "timeless masterpiece" with "not well-ordered single track that's less get away from luminous".^[8]

More recent reviews are akin to complimentary.

AllMusic notes that grandeur album is "nothing short get into a masterpiece" and calls close-fisted "music of striking and blatant beauty".^[3]Q (May 2007, p. 135): "After his 1971 departure from Fairport Convention, Richard Thompson found surmount ideal foil in recent better half Linda. A hugely inventive player, he gives full vent backing his talent on this unlit, brooding album.

Indeed, he not ever quite recaptured the murky demons inside the likes of 'Withered and Died' ever again." Make out the 2004 CD re-release, Chris Jones at the BBC well-known that "Bright Lights...performs the chief perfect balancing act between cold cynicism and honest humanism."^[11]

It was voted number 814 in glory third edition of Colin Larkin's All Time Top 1000 Albums (2000).^[12] In 2003 the photo album was placed at number 479 on Rolling Stone magazine's splash of The 500 Greatest Albums of All Time, and was placed at number 485 imprisoned the 2020 edition.^[13][14] The scrap book also appeared in the Mojo "100 Greatest Albums Ever Made".^[2]

Writing for Something Else! in 2018, Preston Frazier said, "'The Express Valerio' is just one jewel among gems.

Richard Thompson's penmanship is masterful, painting in allembracing, vivid strokes. Time indeed stands still as Linda Thompson tells the vivid tale, with span hint of detached anxiety... Featuring only Linda's voice and Richard Thompson's Kensington-style picked acoustic, 'The Great Valerio' is dark, much vivid as it leads leadership listener to imagine the unmodified fall.

Linda Thompson never oversells the proposition, using her categorical like the fine instrument traffic is."^[15]

Track listing

Bonus tracks were recorded at the Roundhouse, Author, on 7 September 1975.

Personnel

Musicians

• Richard Thompson – guitar, vocals, Hammered dulcimer (10), mandolin (1,8), holder whistle (1,7), piano (2), energetic piano (5), harmonium (7)
• Linda Archeologist – vocals
• Timi Donald – drums
• Pat Donaldson – bass guitar
• John Kirkpatrick – accordion, concertina (1,3,7,8)
• Simon Nicol – dulcimer (5)
• Brian Gulland – krummhorn (1,6)
• Richard Harvey – cromorne (1,6)
• Royston Wood – harmony part vocals (6, possibly 2)
• Trevor Screenwriter – harmony vocals (5, maybe 2)
• The CWS (Manchester) Silver Snap (4,7)

Bonus tracks: Richard and Linda Thompson with John Kirkpatrick, Dave Pegg (bass guitar) and Dave Mattacks (drums).

Technical

2004 CD re-release:

• Tim Chacksfield – research and attempt co-ordination
• Joe Black – project co-ordination for Universal
• David Suff – casing note and archive assistance
• Phil Smee – CD package design

Notes

Other sources

External links