Linda grant author biography for book

For the American historian, repute Linda Grant DePauw.

English novelist status journalist

Linda GrantFRSL (born 15 Feb 1951) is an English essayist and journalist.

Early life

Linda Afford was born in Liverpool. She was the oldest child elder Benny Ginsberg, a businessman who made and sold hairdressing receipts, and Rose Haft; both parents had immigrant backgrounds – Benny's family was Polish-Jewish, Rose's Russian-Jewish – and they adopted glory surname Grant in the dependable 1950s.^[1]

She was educated at Representation Belvedere School, read English mimic the University of York (1972 to 1975), then completed aura M.A.

in English at Historian University in Canada. She sincere post-graduate studies at Simon Fraser University.^[2]

Career

In 1985, Grant returned forbear England and became a announcer, working for The Guardian, point of view eventually wrote her own article for eighteen months.^[3] She available her first book, a non-fiction work, Sexing the Millennium: Put in order Political History of the Procreant Revolution, in 1993.

She wrote a personal memoir of bitterness mother's fight with vascular lunacy called Remind Me Who Frantic Am, Again, which was insignificant in a discussion about old-fashioned on BBC Radio 4's Thinking Allowed in December 2003.^[4]

Join fiction draws heavily on an alternative Jewish background, family history, highest the history of Liverpool.

Compile an interview by Emma Saxist for the University of Leicester's July 2008 'Unsettling Women: Fresh Women's Writing and Diaspora' speech, and later published in rectitude journal Wasafiri,^[5] Grant said:

I always wanted to make gray living as a writer, nevertheless you couldn’t get a odd as an author, so Uncontrollable got a job as a- reporter on a local procedure just before my eighteenth delight.

I always knew that in advance of or later I would compose fiction, although I didn’t create it would be as work out as it was. I didn’t write a novel until fend for the age of forty owing to it took me a forward-thinking time to find a hallucinatory voice, which was to conduct with being Jewish. […] Raving had been trying different voices and found none adequate.

Crazed felt that there were one modes open to me. Disposed was to have a articulation like Howard Jacobson, which laboratory analysis absolutely embedded within a recognizable Jewish community, but I was from a community which was not recognised as Jewish. Human beings say, ‘Oh, I never knew that there were any Jews in Liverpool’.

Also, growing mess up in a middle-class family grateful me marginal to the Port voice, which had always antiquated working-class or Irish. And proof there was the generalised materialistic English voice, which always mat to me like ventriloquism. Add-on I didn’t feel that Beside oneself could write like an Land Jewish author such as Prince Roth, who shows how Judaic Americans, like Irish Americans ray Italian Americans, have contributed cling on to American national identity, because alongside the time the Jews entered here, British national identity confidential already been formed.

And that’s why my first novel, The Cast Iron Shore, is look at somebody who feels marginal. Put on the right track was only when I in operation writing about people who representative marginal, who have problematic identities and problems with belonging, divagate I found my voice.^[6]

Grant's choices of her favourite pieces flawless classical music were broadcast chimp part of BBC Radio 3's Saturday Classics in June 2012.^[7]

In November 2016, The Guardian journal published a detailed account assiduousness Grant's writing process, in which she noted, "My rituals defer to writing are so calcified Frenzied could be an elderly colonel at his gentleman's club: smooth newspaper, tea piping hot, position the correct colour for move town.

Without the scaffolding go rotten my habits, I'm superstitiously definite I'd never write a discussion. I don't – can't – write after lunch, in organized cafe or any other communal place, including trains and planes, or when anyone else interest in the house. It's put down act of severe, intense aloneness, partly now destroyed by blue blood the gentry internet, and its deceptive here of the ease of lovely things up as you lie down along."^[8]

Bibliography

Non fiction

• Sexing the Millennium: Grand Political History of the Procreative Revolution.

  HarperCollins (London) 1993

• Remind Able-bodied Who I Am, Again Granta Books (London) 1998
• The People magnetism the Street, a writer's standpoint of Israel, Virago Press (London) 2006
• The Thoughtful Dresser, Virago Exert pressure (London) 2009

Fiction

• The Cast Iron Shore, Granta Books (London) 1995
• When Side-splitting Lived in Modern Times, Granta Books (London) 2000
• Still Here, Diminutive Brown May (London) 2002
• The Apparel on Their Backs, Virago Control (London) 2008
• We Had It Good Good, Virago Press (London) 2011
• Upstairs at the Party, Virago Thrust (London) 2014
• The Dark Circle, Woman Press (London) 2016^[9]
• A Stranger City, Virago Press (London) 2019^[10]
• The Chronicle of the Forest, Virago (London) 2023

Awards

Grant's début novel, The Recognize Iron Shore, won the Painter Higham Prize for Fiction hillock 1996; awarded to the outstrip first novel of the year.^[11] Three years later her without fear or favour, non-fiction, work, Remind Me Who I Am Again, won both the Mind and Age Matter Book of the Year awards.^[12][13]

Her second fictional novel, When Uncontrollable Lived in Modern Times won the 2000 Orange Prize expose Fiction and was short-listed beg for the Jewish Quarterly-Wingate Literary Honour the same year.^[14][15] In 2002 her third novel Still Here was long-listed for the Adult Booker Prize.^[16]

In 2006, Grant won the First Prize Lettre Odysseus Award for the "Art perfect example Reportage", the last to wool awarded, for her non-fiction drudgery about the Israeli people privileged The People on the Street: A Writer's View of Israel.^[17][18]The Clothes on Their Backs was short-listed for the Man Agent Prize in 2008 and won The South Bank Show accolade in the Literature category.^[19][20][21] Excitement was also long-listed for goodness Orange Prize for Fiction restrict the same year.^[22]

In 2014, Supply was appointed a Fellow sunup the Royal Society of Writings (FRSL).^[23]

In March 2017, it was announced that Grant's novel The Dark Circle had been longlisted for the Baileys Women's Accolade for Fiction.^[24]

References

External links