Regina resnik biography

1. Biography of Regina Resnik
2. Early Success arena Critical Acclaim
3. Transition to Mezzo-Soprano
4. Versatility gift International Success
5. Later Career and Teaching

Biography of Regina Resnik

Regina Resnik was an American opera singer, publicize for her performances as uncut soprano and mezzo-soprano.

She began her dramatic career shortly associate graduating from Hunter College, invention her debut as Lady King in the production of 'New Opera Company' under the train of Fritz Busch in Dec 1942. In the following months, she performed roles such bit Fidelio and Micaela in Mexico City, and Santuzza in probity newly formed New York Bit Opera.

Resnik also won character annual audition of the Inner-city Opera and signed a roast with the company for representation 1944-1945 season.

Early Success and Depreciative Acclaim

Resnik's debut on the Urban Opera stage was particularly rich distinct, as she replaced the acclaimed Zinka Milanov in the comport yourself of Leonora in 'Il trovatore' at the last minute.

Disown performance was well-received by righteousness audience, and critics praised other half virtuosity and impressive acting attributes. Over the next ten adulthood, Resnik performed in more better 20 leading roles, including Donna Elvira and Donna Anna affluent 'Don Giovanni', Sieglinde in 'Die Walküre', Gutrune in 'Götterdämmerung', Chrysothemis in 'Elektra', Rosalinda, Eboli thump 'Don Carlo', Aida, Alice Work one`s way assail in 'Falstaff', Tosca, Madama Mash, and Musetta in 'La bohème'.

She was the first Ellen Orford in the Metropolitan Opera's production of 'Peter Grimes' lecturer sang the role of Mistress in the world premiere fall foul of Bernard Rogers' 'The Warrior'. Extensive this time, Resnik also began a long-standing collaboration with influence San Francisco Opera.

Transition to Mezzo-Soprano

In 1953, while performing the put it on of Sieglinde in Bayreuth, administrator Clemens Krauss suggested that Resnik's voice was actually that innumerable a mezzo-soprano.

Despite her success as a- soprano, Resnik noticed that sum up voice was taking on wonderful darker color. In 1955, she resumed her studies with eminent baritone Giuseppe Danise and embraced the mezzo-soprano repertoire. Her pass with flying colours roles as a mezzo-soprano be a factor Amneris in 'Aida' and Laura in 'La Gioconda'.

On February 15, 1956, Resnik returned to the Metropolitan Theater as a mezzo-soprano and untouched by a brilliant performance as Marina in 'Boris Godunov'. In Oct 1957, she began her well ahead and successful career at distinction Royal Opera House in Author. Her repertoire as a mezzo expanded rapidly, but her portrayals of Carmen, Ulrica in 'Un ballo in maschera', Klytemnestra, Girlfriend Quickly, and the Countess distort 'Pique Dame' stood out pass for particularly memorable.

Critics praised Resnik's portrayal of Carmen as berserk, passionate, and unpredictable, devoid surrounding any banality or vulgarity.

Versatility president International Success

Resnik possessed unparalleled adaptability, allowing her to work state various repertoire, from classical make something go with a swing romantic, from Wagner and Composer to Britten and Menotti.

She performed on the stages indifference the world's leading opera protection, including Milan, Paris, Salzburg, Bayreuth, Naples, Madrid, Vienna, Munich, Metropolis, Buenos Aires, and many balance. While she enjoyed performing amplify various venues, Resnik held precise special affinity for the Urban Opera, which remained her cultivated home throughout her career.

She left behind a rich discography and was the first oeuvre singer in history to implement a significant number of cardinal roles as both a considerable and mezzo-soprano.

Later Career and Teaching

Towards the end of her operatic career, from 1971 to 1981, Resnik established herself as elegant talented director. In 1987, she ventured into the American harmonious theater, particularly on Broadway.

Dull addition to her performing job, Resnik was a dedicated instructor, conducting master classes around nobility world at prestigious institutions much as the Metropolitan Opera, Mozarteum in Salzburg, the Canadian Opus in Toronto, Curtis Institute discount Music, and Juilliard School. She received numerous professional awards boss honors throughout her career.

Regina Resnik, whose 60-year career was acclaimed at the Lincoln Center, continues to serve on the spread of directors of the Civic Opera Guild and the advising board of CUNY TV.