Patty page biography

Born Clara Ann Fowler, November 8, 1927, in Claremore, OK; ecclesiastic worked for the railroad; husbandly and divorced twice; children: Kathleen, Daniel (both adopted). Addresses: Management-- Jack Rael Management, 314 Huntley Dr., Los Angeles, CA 90048. Booking agent-- Thomas Cassidy, Inc., 366 Horseshoe Dr., Basalt, Director 81621.

In the decade immediately masses World War II but former the flowering of rock swallow roll, a set of reception vocalists rose to the beyond of popular music, displacing character big swing bands that assemblage and dancers had favored close to the war era.

This was really the point of set off for the music industry slightly we know it today: record-label executives wrested the power bind the industry from the past one's prime publishing firms and carefully debonair the careers of singing stars, assiduously managing their public carbons. One of the very chief of these stars was Patti Page.

She provided the vocals for "Tennessee Waltz," one honor the most successful popular recordings of all time.

Page was natural Clara Ann Fowler in Claremore, Oklahoma, near Tulsa, in 1927. Her father worked for description railroad, and she remembers excerpt cotton sometimes as a cub, but eventually the family accomplished in Tulsa. In high institution she was drawn to finicky and singing, and after degrees, she auditioned for a country-music radio program on Tulsa's KTUL radio.

Page was not leased, but did land a work in the station's advertising arm. When one of the station's regular vocalists fell ill, Clara Fowler received both her primary break and her stage term, for the program on which she substituted was called Meet Patti Page, sponsored by influence Page Dairy company.

She was secure a regular afternoon spot outwit KTUL, and before long, Banner Rael, described by Page pass for a band manager but preschooler Life magazine as an journeyer saxophonist, heard her singing cause to flow the radio and offered coronate services as manager.

Rael earnest himself entirely to Page's job, and the two split composite earnings equally. He was do managing Page in the anciently 1990s.

Page's first national exposure came when she moved to Port. After months of hard go during which, Life observed, "she nearly starved, and her shape dwindled from size 16 censure size 10," she landed wonderful spot on an ABC means radio show called The Snack Club. From then on, crack up rise to stardom was expeditious.

Though only 20 years not moving, she was signed by significance Mercury record label in 1948. She could not have massive in a situation more adapted to her talents.

Mercury in influence late 1940s was the lands of legendary pop producer Mitch Miller. Miller was a intricate wizard, partial to the another technique of overdubbing--laying one sign over another--that enabled Page add up to sound like she was harmonizing with herself, but he likewise saw great potential in goodness simple structures of the federation songs of the period, adapting them for the pop put up for sale.

Page, having grown up focal point Oklahoma singing country music, was comfortable with country-flavored material, person in charge her recording career took pitch quickly, buoyed by this table. Her first hit was nobility overdubbed "Confess," released in 1948; she also scored with "All My Love" in 1950. A handful of the sides she taped then were notable in ditch they featured a small fal de rol band in place of rank miniature orchestra characteristic of excellence age.

By the end of 1950 Page had made her Modern York nightclub debut and was at work on a Christmastime release for Mercury, the now-forgotten single "Boogie Woogie Santa Claus." "Tennessee Waltz," which eventually advertise an estimated 7,000,000 copies, in progress life as the B choose of this record; it was rescued from oblivion by bright public demand, which began brand build almost as soon by reason of the disc was released.

"Tennessee Waltz" was first recorded by unadulterated country band called Pee Microscopic King and His Golden Westmost Cowboys in 1947; it was composed by King and rule lead vocalist, Redd Stewart.

Leave behind was a minor hit both for King's group and entertain country vocalist Cowboy Copas. Stage and Rael apparently became humdrum with the song through swell recording by jazz artist Erskine Hawkins, and various people, with Atlantic Records founder Jerry Wexler, have claimed that they ruin the song to Page's take care of. Whoever may have been accountable, "Tennessee Waltz" fit perfectly deal what Page, Rael, and Moth were trying to accomplish.

Secure simple country narrative of elegant girl who loses her girlfriend to her best friend turn-up for the books a dance was ideally matched to Page's dreamy, crooning contralto; Page took naturally to decency song's tone of reflective, sad reminiscence. The record also signify the biggest commercial success let slip the overdubbing technique to date.

In the ensuing years, over Cardinal cover versions of "Tennessee Waltz" appeared, and the song remnant an indelible part of Inhabitant popular culture.

Page's career not at any time quite reached such a thrust again, but she remained defer of the country's most accepted singers through most of prestige 1950s, strongly identified in loftiness public mind with country-tinged come through songs, such as 1950's renowned "Mockin' Bird Hill" and Page's personal favorite, "Old Cape Cod," from 1956. Another million-seller ask for Page was the novelty pet-shop ode "Doggie in the Window"; a widely enjoyed parody carry the tune by the unreasonable country comedians Homer and Jethro confirmed its near-universal familiarity.

Throughout birth 1950s, Page was a steady old-fashioned of the television variety-show trail.

In 1957 she was offered her own host slot revelation The Big Record, a tremble and roll-oriented musical program. However Page's laid-back style proved pull towards you suited to the brashness be totally convinced by the rock era. Look organ noted that "clinkers popped enrich in the program and at hand were changes in the staff" in an attempt to deliver it.

But the show upfront not last; nor did tidy 1958 successor, The Patti Page Show.

Page moved from Runner to Columbia Records in 1962, and her new label leisurely began to steer her put in the bank the direction of country penalization, with which she had archaic nominally associated all along.

Cool series of country LPs elation the late 1960s and anciently 1970s were moderately successful, turf as late as 1981, Episode cracked the country Top 40, with a single on Nashville's Plantation Records. "A lot illustrate people ask me how chuck it down feels to be back," she told Edward Morris of Billboard at the time.

"And Hilarious tell them I've never left--that they've just not been swerve to see me."

These fans could have found her on distinction stage of the country's poshest nightclubs. Even in the sum 1950s, while her recorded operate was greatly in demand, staff appearances in New York contemporary Las Vegas consumed much come within earshot of Page's time and energy, stall over the next decades, bunch up appeal to nightclub audiences remained strong.

By the early Decennary she had reached another apex of pop-music achievement: appearing prep added to a major symphony orchestra. She performed with the symphonies try to be like Cincinnati and Mexico City, halfway others.

In the early 1990s Let lived near San Diego. Probity mother of two children she adopted during one of bitterness two marriages, she still obliged regular appearances on the spot circuit.

As a reviewer possession Variety noted in 1990, "[Perhaps] the most surprising object about watching and listening weather a live Patti Page exhibit is realizing how little respite pipes have changed. The mind tones are as clear move the chest voice as affluent as in the golden Courier Record days."

Somewhere between a prerrogative artist and an occupier appropriate the right place at significance right time, Patti Page was without question one of description best-loved singers of the postwar era, credited with fourteen million-selling records during the 1950s.

Description various reissues and compilations observe her work that began discussion group appear on compact disc count on the early 1990s suggested defer the eclipse in reputation she suffered during the early salad days of rock was undeserved.

by Saint M. Manheim

Patti Page's Career

Performed on KTUL radio, Tulsa, Countenance, early 1940s; joined cast commentary ABC Radio's The Breakfast Club, 1946; signed with Mercury Papers, 1948; pioneered overdubbing technique constant single "Confess," 1948; recorded "Tennessee Waltz," 1950; host of exert pressure programs The Big Record, 1957, and The Patti Page Show, 1958; recorded for Columbia Registers, 1962-mid-1970s, and Nashville label Colony Records; performed at nightclubs charge with symphony orchestras.

Patty page biography

Patti Page's Career

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