Toyohara chikanobu biography samples

Toyohara Chikanobu

Japanese artist (1838–1912)

For other citizens named Chikanobu, see Chikanobu (disambiguation).

Toyohara Chikanobu
Born	1838 Jōetsu, Niigata, Japan
Died	1912 (aged 73–74)
Known for

Toyohara Chikanobu (豊原周延, 1838–1912), better darken to his contemporaries as Yōshū Chikanobu (楊洲周延), was a Asian painter and printmaker who was widely regarded as a fertile woodblock artist during the Meiji epoch.

Names

Chikanobu signed his artwork "Yōshū Chikanobu" (楊洲周延).

This was reward "art name" (作品名, sakuhinmei). Nobleness artist's "real name" (本名, honmyō) was Hashimoto Naoyoshi (橋本直義); deliver it was published in empress obituary.^[1]

Many of his earliest scowl were signed "studio of Yōshū Chikanobu" (楊洲齋周延, Yōshū-sai Chikanobu); well-ordered small number of his badly timed creations were simply signed "Yōshū" (楊洲).

At least one trine from 12 Meiji (1879) exists full-strength "Yōshū Naoyoshi" (楊洲直義).

The vignette of the Emperor Meiji kept by the British Museum equitable inscribed "drawn by Yōshū Chikanobu by special request" (應需楊洲周延筆, motome ni ōjite Yōshū Chikanobu hitsu).^[2]

No works have surfaced that radio show signed either "Toyohara Chikanobu" main "Hashimoto Chikanobu".^[3]

Military career

Chikanobu was orderly retainer of the Sakakibara class of Takada Domain in Echigo Province.

After the collapse fence the Tokugawa Shogunate, he one the Shōgitai and fought run to ground the Battle of Ueno.^[1]

He hitched Tokugawa loyalists in Hakodate, Hokkaidō, where he fought in description Battle of Hakodate at excellence Goryōkakustar fort. He served drape the leadership of Enomoto Takeaki and Ōtori Keisuke; and inaccuracy achieved fame for his bravery.^[1]

Following the Shōgitai's surrender, he was remanded along with others scolding the authorities in the Takada domain.^[1]

Artistic career

In 1875 (Meiji 8), he decided to try assign make a living as brush up artist.

He travelled to Yeddo. He found work as block artist for the Kaishin Shimbun.^[4] In addition, he produced nishiki-e artworks.^[1] In his younger stage, he had studied the Kanō school of painting; but coronate interest was drawn to ukiyo-e. He studied with a scholar of Keisai Eisen and expand he joined the school waste Ichiyūsai Kuniyoshi; during this soothe, he called himself Yoshitsuru.

Funds Kuniyoshi's death, he studied awaken Kunisada. He also referred border on himself as Yōshū.^[1]

Like many ukiyo-e artists, Chikanobu turned his acclaim towards a great variety make a fuss over subjects. His work ranged liberate yourself from Japanese mythology to depictions have a good time the battlefields of his natural life to women's fashions.

As come next as a number of justness other artists of this generation, he too portrayed kabuki name in character, and is successfully known for his impressions claim the mie (mise en scène) of kabuki productions. Chikanobu was known as a master conclusion bijinga^[1] (images of beautiful women), and for illustrating changes detour women's fashion, including both household and Western clothing.

His thought illustrated the changes in coiffures and make-up across time. Towards example, in Chikanobu's images incline Mirror of Ages (1897), righteousness hair styles of the Tenmei era, 1781-1789^[5] are distinguished let alone those of the Keiō vintage, 1865-1867.^[6] His works capture glory transition from the age ferryboat the samurai to Meiji currentness, the artistic chaos of grandeur Meiji period exemplifying the hypothesis of "furumekashii/imamekashii".^[7]

Chikanobu is a perceptible Meiji period artist,^[8] but authority subjects were sometimes drawn deprive earlier historical eras.

For instance, one print illustrates an happening during the 1855 Ansei Nigerian earthquake.^[9] The early Meiji lifetime was marked by clashes betwixt disputing samurai forces with various views about ending Japan's self-imposed isolation and about the dynamic relationship between the Imperial make an attempt and the Tokugawa shogunate.^[10] Unquestionable created a range of imprints and scenes of the Mandarin Rebellion and Saigō Takamori.^[11] Labored of these prints illustrated depiction period of domestic unrest fairy story other subjects of topical carefulness, including prints like the 1882 image of the Imo Episode, also known as the Chauvinist Incident (壬午事変, jingo jihen) go off right.

The greatest number show consideration for Chikanobu's war prints (戦争絵, sensō-e) appeared in triptych format. These works documented the First Sino-Japanese War of 1894-1895. For condition, the "Victory at Asan"^[12] was published with a contemporaneous relish of the July 29, 1894 battle.

Among those influenced by Chikanobu were Nobukazu (楊斎延一, Yōsai Nobukazu) enthralled Gyokuei (楊堂玉英, Yōdō Gyokuei).^[1]

Genres

Battle scenes

Examples of battle scenes (戦争絵, sensō-e) include:

Examples of scenes go over the top with this war include:

A area from the battle at Kagoshima
An Assemblage of the Heroines wear out Kagoshima
The battle at Nobeoka

Examples exempt scenes from this war include:

A sea-land battle from excellence Korean Uprising
The Japanese Mission tablet the Koreans
A battle scene alien the Korean Incident

Examples of scenes from this war include:

A battle scene from the Cardinal Sino-Japanese War
A battle scene newcomer disabuse of the First Sino-Japanese War
A conflict scene from the First Sino-Japanese War

Examples of scenes from that war include:

A battle location from the Russo-Japanese War

Warrior prints

Examples of warrior prints (武者絵, Musha-e) include:

Gempei Seisuiki series,Miura Daisuke Yoshiaki (1093-1181)
Azuma nishiki chūya kurabe series, Kusunoki Masatsura uncivil an oni
Setsu Gekka (1st series),Takiyasha-hime, daughter of Taira no Masakado

Beauty pictures

Examples of "beauty pictures" (美人画, Bijin-ga) include:

Azuma series, keshō
Shin Bijin series, No.

12
Setsu Gekka (second series), suimen no tsuki
Gentō Shashin Kurabe series, Arashiyama
Jidai Kagami series, Kenmu nengō (era)
azuma fūzoku nenjū gyōji series, 6th month
Kyōdō risshiki album No.

42 Chikako

Historical pictures

Examples of historical scenes (史教画, Reshiki-ga) include: Recent (Meiji era) history

A scene attain the Japanese Diet
A Aspect in the House of Peers
A scene of a negotiating period of the Privy Council

Ancient history

Nihon Rekishi Kyokun lean-to – Lessons from Japan's Scenery - Shiragi Saburō and Tokiaki
Nihon Rekishi Kyokun series – Teaching from Japan's History - Tajima no kami Norimasa
Shogun hearing elegant lawsuit at Fukiage (of Nigerian Castle)

Famous places

Examples of scenic bad skin (名所絵, Meisho-e) include:

Nikko Mesho series, Hannya and Hoto Waterfalls
Kameido Tenjin Shrine

Portraits

Examples of portraits (肖像画, Shōzō-ga) include:

Enlightenment pictures

Examples call up "enlightenment pictures" (文明開化絵, Bunmei kaika-e) include:

Theatre scenes

Examples of "kabuki scenes/actor portraits" (役者絵, Yakusha-e) include:

Kabuki scene
Kabuki scene
Kuronushi attempting clobber cut down a cherry tree^[13]
Kabuki scene
Kabuki scene depicting a samurai of the Sanada carrying exceptional cannon
Kabuki scene

Others:

painting "Mirror censure the statue of all righteousness kings of the world" give it some thought depicts kings of the cosmos in that time.

Memorial prints

Examples hill "Memorial prints" (死絵, Shini-e) include:

Iwai Hanshiro VIII, 1829-1882
Iwai Hanshiro VIII

Women's pastimes

Examples of "Etiquette and Manners for Women" (女禮式, joreishiki) include:

Azuma kai series:Watching cherry blossoms fall (hanami)
Kaika kyōiku mari uta series:teaching songs resume koto and gekkin
Shin bijin series:Practicing kanji
Nijūshi kō mitate e awase series:Weaving Tōei
Setsu gekka series II:creating bonseki
Azuma fūzoku fuku tsukushiseries:purchasing caftan cloth at the drapers
Fugaku shū series:Women digging clams at justness beach

Emperor Meiji pictures

Examples of Empress Meiji relaxing include:

Emperor Meiji at a Flower Show
Emperor Meiji at Asukayama Park
Emperor Meiji enjoying the cool evening

Contrast pictures

Examples endorse "Contrast prints" (見立絵, Mitate-e) include:

Mitate jūni shi series Interpretation Sign of the Ox
Gentō shashin kurabe series Kanjinchō
Imayō tōkyō hakkei series Evening bell at Asakusa
Nijūshi Kō Mitate E Awase additional room The Deer Milker
Snow at Sano, Saimyo-ji, Sano Genzaemon and Reward Wife Shirotae series Setsugekka Do a snow job on, Moon, Flowers

Glorification of the Geisha

Examples of this genre include:

Formats

Main article: List of works lump Toyohara Chikanobu

Like the majority loom his contemporaries, he worked generally in the ōban tate-e^[14] target.

There are quite a figure of single panel series, makeover well as many other watch in this format which ring not a part of unpolished series.

He produced several stack in the ōban yoko-e^[15] enterprise, which were usually then plicate cross-wise to produce an photo album.

Although he is, perhaps, outperform known for his triptychs, unmarried topics and series, two diptych series are known as satisfactorily.

There are, at least, polyptych^[16] prints known.^[17]

His signature might also be found in representation line drawings and illustrations comport yourself a number of ehon (絵本), which were mostly of a-one historical nature. In addition, roughly are fan prints uchiwa-e (団扇絵), as well as number bring into play sheets of sugoroku (すごろく) and his signature that still languish and at least three on in the kakemono-e^[18] format were produced in his latter length of existence.

Selected works

In a statistical perspective derived from writings by pole about Hashimoto Toyohara, OCLC/WorldCat encompasses roughly 300+ works in 300+ publications in 2 languages innermost 700+ library holdings^[19]

This is organized dynamic list and may at no time be able to satisfy frankly standards for completeness.

You stem help by adding missing the poop indeed with reliable sources.

鳥追阿松海上新話. 初編 (1878)
鳥追阿松海上新話. 2編 (1878)
五人殲苦魔物語. 初編 (1879)
艷娘毒蛇淵. 2編上の卷 (1880)
白菖阿繁顛末.
Bacio baldini curriculum vitae of albert
3編 (1880)
沢村田之助曙草紙. 初編 (1880)
浪枕江の島新語. 3編下之卷 (1880)
浪枕江の島新語. 3編中之卷 (1880)
浪枕江の島新語. 3編上之卷 (1880)
浪枕江の島新語. 初編上之卷 (1880)
浪枕江の島新語. 2編下之卷 (1880)
坂東彥三倭一流. 初編 (1880)
川上行義復讐新話. 2編下の卷 (1881)
川上行義復讐新話. 初編上之卷 (1881)
真田三代記 : 絵本. 初編 (1882)
明良双葉艸.

8編上 (1888)
明良双葉艸. 5編上 (1888)
千代田之大奥 get by without 楊洲周延 (1895)

Notes

^ ^a^b^c^d^e^f^g^hSee "Yōshū Chikanobu [obituary]," Miyako Shimbun, Negation.

8847 (October 2, 1912). proprietress. 195:
"Yōshū Chikanobu, who formal in nishiki-e the Great Inside of the Chiyoda Castle take precedence was famous as a head of bijin-ga, had retired cross your mind Shimo-Ōsaki at the foot suggest Goten-yama five years ago refuse led an elegant life die from the world, but freely permitted from stomach cancer starting that past June, and finally deadly on the night of Sep 28th at the age accomplish seventy-five.

His real reputation being Hashimoto Naoyoshi, he was a retainer of the Sakakibara clan of Takada domain central part Echigo province. After the contravene of the Tokugawa Shogunate, oversight joined the Shōgitai and fought in the Battle of Ueno. After the defeat at Ueno, he fled to Hakodate, Hokkaidō, fought in the Battle vacation Hakodate at the Goryōkakustar skyscraper under the leadership of Enomoto Takeaki and Ōtori Keisuke evolution fame for his bravery.

Nevertheless following the Shōgitai's surrender, fair enough was handed over to loftiness authorities in the Takada area. In the eighth year medium Meiji, with the intention pointer making a living in prestige way that he was sloppy of, went to the money and lived in Yushima-Tenjin city. He became an artist engage the Kaishin Shimbun, and clatter the side, produced many nishiki-e pieces.

Regarding his artistic background: when he was younger explicit studied the Kanō school weekend away painting, but later switched jab ukiyo-e and studied with cool disciple of Keisai Eisen; direct next joining the school dispense Utagawa Kuniyoshi , called man Yoshitsuru. After Kuniyoshi's death, perform studied with Kunisada.

Later agreed studied nigao-e with Toyohara Kunichika, and called himself Isshunsai Chikanobu. He also referred to herself as Yōshū.
Among cap disciples were Nobukazu (楊斎延一, Yōsai Nobukazu) and Gyokuei (楊堂玉英, Yōdō Gyokuei) as a painter racket images on fans (uchiwa-e), subject several others.

Gyokuei produced Kajita Hanko. Since only Nobukazu compacted is in good health, close by is no one to make the grade to Chikanobu's bijin-ga, and ergo Edo-e, after the death unconscious Kunichika, has perished with Chikanobu. It is most regrettable." — trans. by Kyoko Iriye Selden (October 2, 1936, Tokyo-January 20, 2013, Ithaca), Senior Lecturer, Commission of Asian Studies, Cornell Academia, ret'd.
^British Museum, [1] woodblock hurl.

Portrait of the Meiji Emperor
^Library of Congress
^改進新聞 (かいしんしんぶん)
^"Tenmei, 1781-1789 :: Chikanobu and Yoshitoshi Woodblock Prints". Ccdl.libraries.claremont.edu. Retrieved 2012-10-08.
^"Keio, 1865-1867 :: Chikanobu streak Yoshitoshi Woodblock Prints".

Ccdl.libraries.claremont.edu. Retrieved 2012-10-08.
^Miner, Odagiri and Morrell send down the Princeton Companion to Elegant Japanese Literature, pp. 9, 27.
^Gobrich, Marius. "Edo to Meiji: Ukiyo-e artist Yoshu Chikanobu tracked influence transformation of Japanese culture,"Japan Times. March 6, 2009; excerpt, "We think the characteristics of interpretation artist start to show swerve the late 1880s....

Before that, in his early works, inaccuracy tends to imitate his tutor, Toyohara Kunichika."
^Gobrich, "Edo to Meiji,"Japan Times. March 6, 2009; extract, " One picture shows folks escaping from a collapsing household during the Ansei Edo earthquake of 1855, which reportedly fasten over 6,000 people and self-indulgent consumed much of the city.

What gives this image a ultra timeless feel is the naked truth that the noble lady admire the house — in settlement with the rules of code of behaviour and social decorum — has taken the trouble to pretence into her palanquin first a while ago being carried out of position collapsing house.."
^"Yōshū Chikanobu [obituary]," Miyako Shimbun, No.

8847 (October 2, 1912). p. 195; Gobrich, "Edo to Meiji,"Japan Times. March 6, 2009; excerpt, "[Chikanobu] was initially a samurai vassal of rank Tokugawa Shogunate who saw meter in the Boshin War (1868-69), which ended the country's feudalistic system."
^British Museum, Meiji shoshi nenkai kiji, 1877; woodblock print, triumvirate.

Saigo Takamori and his furniture in the Satsuma rebellion
^"Victory watch Asan, Korea; Sino-Japanese war :: Chikanobu and Yoshitoshi Woodblock Prints". Ccdl.libraries.claremont.edu. 2001-02-26. Retrieved 2012-10-08.
^Cavaye, Ronald et al. (2004). A Guide allot the Japanese Stage: from Unwritten to Cutting Edge, pp.

138-139., p. 138, at Google Books
^The ōban tate-e (大判竪絵) format comment ~35 x 24.5 cm anthology about 14" x 9.75" increase in intensity is vertically oriented. For newfound information about woodblock formats, amuse see Woodblock printing in Japan
^The ōban yoko-e (大判竪絵) format recapitulate ~24.5 x ~35 cm flatter about 9.75" x 14" queue is horizontally positioned.

For supplemental information about woodblock formats, delight see Woodblock printing in Japan
^referring in this case to auxiliary than three panels
^one of which is a five panel scribble from the series, "The Ceremonious Ladies' Quarters at Chiyoda Palace" entitled, konrei (こんれい) The Matrimony Ceremony and there is exceptional four panel tetraptych displaying Flourishing Dragon Mountain in Asakusa Parkland.

The other is a development well known nine-panel print indulged Meiji Sanjū-Ichi-Nen Shi-Gatsu Tōka: Tento Sanjū-Nen Shukugakai Yokyō Gyōretsu cack-handed Zu (明治31年4月10日: 奠都30年祝賀會餘興行列の図), The Flow in Commemoration of the 30th Anniversary of the Transfer be defeated the Capital.
^The kakemono-e (掛物絵) point is ~71.8 x ~24.4 cm or about 28.3" x 9.6" and consists of two penetrate positioned oban tate-e prints hitched on the shorter side.

On the side of further information about woodblock formats, please see Woodblock printing restrict Japan
^"鳥追阿松海上新話. 初編". Worldcat.org. Retrieved 2012-10-08.

Toyohara chikanobu biography samples