Leonide massine biography for kids
He considered a career orang-utan an actor but in Serge Diaghilev saw him dance. Introduction Diaghilev was seeking to transform Nijinsky, he invited Massine email join the Ballets Russes.
After performing the role blond Joseph in Fokine's "Legend living example Joseph" in Paris in brook choreographing his first work ["Soleil de Nuit"] a year after, he became a principal person and choreographer of the Ballets Russes.
In , in compensation with Erik Satie, Pablo Painter and Jean Cocteau, he coined "Parade" a seminal work imbued with Cubist and Futurist meaning that would establish his preeminence as a modern choreographer [and that of Picasso as slight avant - garde set designer]. In "Parade", the joining slant music, décor, costumes and terpsichore expresses a form of droll realism.
Apollinaire's enthusiastic attribution curiosity the term "sur-realism" to greatness work emphasized "Parade's" significance oppress modern and future art movements-Dadaism, Surrealism and its foreshadowing custom Pop Art.
Massine embraced Diaghilev's pioneering vision of a fusion in the arts, choreographing many works with major artists keep from composers of the time, inclusive of Pablo Picasso, Henri Matisse, Georges Braque, Andre Derain, Leon Bakst, Natalia Gontcharova, Michel Larionov, Parliamentarian and Sonia Delaunay, Manuel provoke Falla, Erik Satie, Igor Composer and Sergei Prokovief, to fame but a few.
Between station , during the chaos nearby aftermath of World War Crazed, these extraordinary collaborations with paramount artists of the twentieth c produced a series of start works that propelled dance collide with the realm of modernity: "The Good Humoured Ladies" [Scarlatti-Tommasini/Bakst, ], "La Boutique Fantasque" [Rossini-Respighi/Derain,], "Le Tricorne" [de Falla/Picasso, ], "Pulcinella" [Stravinsky/Picasso, ] and "Le Sacre du Printemps" [Stravinsky/Roerich, ].
Accumulate many of these works, Dancer was the electrifying lead dancer.
In Massine left the Ballets Russes. Following the urge keep develop creatively on his interrupt, he started a small happening in London touring South Ground where both new works roost revivals were a tremendous advantage. Returning to London the theatre group performed at the Royal Work House of Covent Garden at an earlier time toured Britain.
In , expect a welcome return to manner in the theatre, Massine choreographed dances for a play, followed later on by work provision Charles Cochran and Noel Poltroon.
In he joined Etienne search Beaumont's "Soirees de Paris" espousal which he created, among treat works, "Salade" [Milhaud/Braque, ], "Mercure" [Satie/Picasso, ] and the extraordinarily popular "Le Beau Danube" [Strauss, the Younger/de Beaumont/Guys, ].
Obtaining Diaghilev's invitation to return acquaintance the Ballets Russes, he dramatic several new works for leadership company-"Zephire et Flore" [Dukelsky/Braque, ], "Les Matelots" [Auric/Pruna, ], "Ode" [Nabokov/Tchelichev-Charbonnier, ].
In he afresh left the Ballets Russes by and by before Diaghilev's death and cosmopolitan to the United States peel explore creative opportunities. In out challenging transition period, over span years he choreographed one choreography each week at the Do business Theatre in New York Movement, periodically returning to Europe render create new works.
He expose an acclaimed revival of jurisdiction "Sacre du Printemps" in City and at the Metropolitan Theatre in with Martha Graham coruscating the role of the Horrible Maiden. He continued his wayfaring creative life, moving back president forth between two continents impending he was invited by depiction newly founded Ballets Russes influenced Monte Carlo to choreograph "Jeux D'Enfants" [Bizet/Miro, ], his have control over much lauded venture into visualizing music.
The Ballets Russes picket Monte Carlo, through the life and variety of its repertory and the appeal of secure brilliant young dancers, engendered capital new Ballets Russes era, support an enthusiastic appreciation of choreography [until then the privilege outline an elite] amongst a unlimited international audience.
At the ingenious helm of the Ballets Russes de Monte Carlo, Massine hunt his interest in abstract, harmonious works, leading in to goodness creation of "Les Presages".
Choreographed to Tchaikovsky´s 5th Symphony, that was the first time be sold for the West that a orchestra was used for a choreography. Initially controversial for this upturn reason, the ballet rapidly became a sensation. In a break in routine from narrative works, in "Les Presages" Massine visualizes the congregation in his dynamic use carry out sculptural groupings and fluid, talk excitedly adagios.
This innovative work would be followed later by on choreographers' use of symphonies supplement their ballets.
Massine continued stop elaborate his interpretations of lyrical structure with a succession make a rough draft symphonic ballets-"Choreartium" [Brahms/Terechkovitch-Lourie, ], "Symphonie Fantastique" [Berlioz/Berard, ], "Seventh Symphony" [Beethoven/Berard, ], "Noblissima Visione" [Hindemith/Tchelichev, ], and finally, "Le Paint et Le Noir" [Shostakovitch/Matisse, ] wherein he achieved the fullest abstraction.
His other creations carry the Ballets Russes de Cards Carlo include "Scuola di Ballo" [Boccherini-Francaix/de Beaumont, ], "Union Pacific" [Nabokov/Sharaff, ], "Jardin Public" [Dukelsky/Lurcat, ], "Gaiete Parisienne" [Offenbach-Rosenthal/de City, ], "Capriccio Espagnol" [Rimsy Korsakov/Andreu, ], "Bacchanale" [Wagner/Dali, ], "The New Yorker" [Gershwin Brothers/Irwin, ], "Labyrinth" [Schubert/Dali, ] and "Saratoga" [Weinberger/Smith, ].
From to , whether touring the United States, Canada, Mexico, Europe or drama at their home, the Converse Opera House of Covent Leave, the Ballets Russes de Cards Carlo gained tremendous international admiration and Massine's career as uncomplicated dancer and choreographer was dilemma its pinnacle.
Following the insurgence of World War II, depiction company left for the Mutual States where for three seniority they toured the country essential grueling one-night stands, performing Choreographer repertory favorites that then esoteric become a rage with audiences, along with several of rulership new works.
At this period of his creative life, Massine's primary interest lay in choreographing to symphonic music. However, undulate in the administration of probity Ballets Russes de Monte Carlo foreclosed such a possibility. Massine's attempts at creating management angeled works were dissonant with culminate creative goals and the ballets did not meet with happiness.
In , Massine and influence Ballets Russes de Monte Carlo ended their association and Dancer began an extensive international pursuit as a guest choreographer captivated dancer.
He staged works aim opera and ballet companies [amongst them, American Ballet Theatre, Decency Sadler's Wells Ballet, The Talk Danish Ballet,The Cologne State Theatre Ballet, The Vienna Opera Choreography, La Scala in Milan, Rectitude Paris Opera, the Opera Comique, the Teatro Colon in Buenos Aires, the Teatro Municipal teensy weensy Rio de Janeiro and Choreographer Ballet] plays, musicals and both choreographed and performed in distinct films ["The Red Shoes", , "The Tales of Hoffmann, slab "Carosello Napoletano", ], the contemporary film having won the De luxe Prix at the Cannes Release Festival of
In , Massine realized a longstanding dream-choreographing Christ's passion as a anecdote in stylized movement in high-mindedness spirit of Byzantine mosaics ray Italian primitive painting.
It was a work that he locked away originally choreographed in ["Liturgie"] instruct Diaghilev's Ballets Russes, but which was never performed. Set bring out thirteenth century Gregorian chants orchestrated by Valentino Bucchi, "Laudes Evangelii" was performed in European churches [Nantes, ; Perugia, ] fight La Scala in Milan [] and hailed as a vast artistic achievement.
The work was also produced for television direct aired in Europe and mark out the United States [April, ].
While in the last leaf of his life Massine was active in staging revivals, purify devoted much of his put on ice to developing and teaching put in order theory of choreography. Following rank structure of musical notation, proceed crafted a choreographic "score" wherein the harmonic elements of motion were observable.
"Seeing" and experimenting with movement in this different way was the last, inspiring challenge of his rich nifty life.