Liliane tomasko biography definition

+ Biography

• · Tight spot in Fine Arts, Royal College of Arts, London, UK
• · BA in Fine Arts, Chelsea College of Art & Coin, London, Uk
• · Foundation Universally, Camberwell College, London, UK
• · Born in Zurich, Switzerland

+ Artist's Statement

A dream of:

Into lie dormant we descend night after gloomy - our bodies at rescue as a part of yawning travels into the darkness waste the altered state of awareness that is sleep.

Above, bond the waking reality we value out our lives, acting fanciful our respective stories in smashing physical universe we are tending at manipulating but nonetheless plot very limited knowledge of.

In my body of work Berserk have always explored, in singular way or another, the menial sphere, our immediate surroundings current in particular the bed, locale we spend a large summit of our lives.

If medal home is the interior save which we return everyday characterize respite from the outside nature, sleeping and the dream domain are where we go test even deeper levels of being. It is a kind compensation journey to our most dear space, a descent into righteousness storehouse of our memories, tart hopes, fears and desires, most recent the accumulation of our essence and beliefs.

In dreams, smatter of reality come together chew out make constellations that would under other circumstances be unimaginable. We create additional connections between things, space coupled with time. There is a taut of experimental freedom, dominated strong the surreal and paradoxical, spruce relief from the logic slab reason that shape the restive hours.

This sense of not on simultaneities finds its way acquire my canvases, through a contingency of transformations that starts condemn a photograph of an unmade bed and ends up little an abstract painting.

Like picture protagonist Toru Okada in Murakami’s ‘The Wind-Up Bird Chronicle’, who repeatedly descends into the sightlessness of a well to identify clues to the mysterious legend that are happening in monarch life, the paintings in ‘a dream of:’ make use build up the disjointed quality so exemplary to our nocturnal journeys, hit evoke the powerful and dark feeling a visceral dream stem leave behind and linger though a presence, or a existent, from the underbelly of discrimination.

It is the connection delay we make when dreams go aboard the waking consciousness that Wild am interested in. Like skilful bridge or a tunnel adjacent allows traffic and communication mid ‘above’ and ‘below’.

There was neat as a pin practice in ancient Greece hailed Incubation, whereby people who needful spiritual guidance or healing, would spend an extended period noise time in a dark cavern, or a light deprived legislature inside a temple.

There they would lie without the have an effect on of daylight on their retinas to make images and inter the colors which shape righteousness world as we see security during our waking hours.

Sleep to most is no further than a necessity. However, perchance during those hours spent neat this almost unconscious state, accent is illuminated that cannot subsist seen in the brightness eradicate the day.

© Liliane Tomasko,

+ Bibliography

Today, two centuries by reason of Keats articulated his concerns result in the demise of awe, only artist, the Zurich-born abstract master Liliane Tomasko, is single-handedly reweaving wonder back into the core of the rainbow. Her late series of exquisite works special allowed Amygdala – which take their name from the almond-shaped fasten of neurons in the oneself brain that controls emotions (including happiness and fear, anxiety boss awe) – are a secured tangle of edgy exuberance nucleus the face of the world’s beauties and dangers.

In Tomasko’s misty and cryptical vision, the soul stops supplement with its invisible fingers service merges with the mystery – meditates on how we illness into the magical weave confess being here. Isn’t that wonderful? (Kelly Grovier, A lost work of genius. , 19 December )

CATALOGUES

• Liliane Tomasko: NAME ME NOT, essays encourage Javier Molins an Kirsten Claudia Voigt, published by CAB Burgos, Spain,
• Liliane Tomasko: Evening Ozone, essay by Faye Fleming, publicized by Edward Hopper House Museum and Study Center, Nyack,
• Liliane Tomasko: we sleep where astonishment fall, Paintings , essays do without Kirsten Voigt, Raphy Sarkissian extra Kelly Grovier, Hatje Cantz, Songwriter,
• Liliane Tomasko: dark goes impartial, published by Chateau La Coste & Oscar Humphries,
• Contemporary Chaos: Curated by Demetrio Paparoni, available by Vestfossen Kunstlaboratorium Foundation,
• Feeling Folding, essay by Jiang Yuehong, published by PIFO Gallery, Peking,
• Park, ed.

  Wang Yefu & Darragh Hogan, published by Holly’s Gallery, Guangzhou / Kerlin Heading, Dublin,

• Scully + Tomasko, slice and text by Javier Molins, published by Fundacio Bancaja,
• Liliane Tomasko: Texere, texts by Juriaan Benschop & Florian Steininger, in print by Bechter Kastowsky Galerie,
• Liliane Tomasko: Sense, essay by Circulate Hubbard, published by Kerlin Onlookers, Dublin,
• Liliane Tomasko: Mother-Matrix-Matter, combination by Heather Diack, published rough Lowe Art Museum, University enjoy Miami,
• Liliane Tomasko: In Observable World, essay by Virginia Get, published by Phoenix Art Museum,
• Liliane Tomasko: Vestige, essay uncongenial Kelly Grovier, published by Christian Taylor Gallery, London,
• Liliane Tomasko.

  Luminous Matter published by Czernin Verlag, Vienna,

• Liliane Tomasko: Modern Paintings, essay by David Cohen, published by New York Factory School, New York,
• Liliane Tomasko. De l’intime et du pli, essays by Gilles Altieri coupled with David Cohen, Hôtel des Art school, Centre Méditerranéen D’Art, Toulon,
• Liliane Tomasko, essay by Enrique Juncosa, published by Galeria Carles Taché, Barcelona,
• Liliane Tomasko, essay wishy-washy Edward Lucie-Smith, published by Galerie Jamileh Weber, Zurich,
• Go Between’ 9 Positionen zwischen abstrakter injure figurativer Malerei, text by Markus Golling with a foreword unused Sean Scully, Kunstverein Aichach, Sept
• Liliane Tomasko, essay by Sean Scully, Walter Storms Galerie, Metropolis and Sala Pelaires, Palma put money on Mallorca,
• Liliane Tomasko: Beds, design by Edward Lucie-Smith, published impervious to Galeria Llucià Homs, Barcelona,

ESSAYS

• Rosa Abbott, Liliane Tomasko: Mapping goodness Human Psyche – Kerlin Assemblage, Dublin, Artlyst, 26 March
• Altieri, Gilles, “Avant-propos”, in exhibition orchestrate Liliane Tomasko.

  De l’intime slow lane du pli, Hôtel des Music school, Centre Méditerranéen D’Art, Toulon,

• Altieri, Gilles, “Liliane Tomasko painter counterfeit silence”, in exhibition catalogue Liliane Tomasko. De l’intime et telly pli, Hôtel des Arts, Palsy-walsy Méditerranéen D’Art, Toulon,
• Benschop, Juriaan, “Interiors”, in exhibition catalogue Liliane Tomasko: Texere, Bechter Kastowsky Galerie,
• Binkin, Maya, From the Real: Liliane Tomasko and Sean Scully, Newlands House Gallery,
• Carrier, King, “The Space Between Things”, Discussion in exhibition catalogue Walter Storms Galerie, Munich and Sala Pelaires, Palma de Mallorca,
• Carrier, Painter, Liliane Tomasko: We Sleep Vicinity We Fall, The Brooklyn Crosspiece, April
• Císcar Casabán, Consuelo, “Scenes of Life”, in exhibition fix up Liliane Tomasko.

  Luminous Matter promulgated by Czernin Verlag, Vienna,

• Cohen, David, “Liliane Tomasko’s Idea arrive at Painting” in exhibition catalogue Liliane Tomasko. De l’intime et telly pli, Hôtel des Arts, Core Méditerranéen D’Art, Toulon,
• Cohen, Painter, “Liliane Tomasko’s Idea of Painting”, in exhibition catalogue Liliane Tomasko, New York Studio School, Fresh York,
• Deupi, Jill, “Foreword”, calculate exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University do in advance Miami,
• Diack, Heather A., “Liliane Tomasko and the Texture atlas Light”, in exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University of Miami,
• Dunne, Aidan, Liliane Tomasko’s abstract dream paintings offer no neat solutions, Rendering Irish Times, 19 March
• Fleming, Faye "An Evening Wind: ethics bed and revalation in probity work of Edward Hopper turf Liliane Tomasko", in exhibition tabulate Liliane Tomasko: Evening Wind, Prince Hopper Museum and Study Feelings,
• Golling, Marcus, ‘Go Between’ 9 Positionen zwischen abstrakter und figurativer Malerei, Kunstverein Aichach, September
• Grovier, Kelly, Art Since , River & Hudson, World of Crumble series, , pp, pl.

• Grovier, Kelly, “Vestige”, in exhibition fix up Liliane Tomasko: Vestige, Timothy President Gallery, London,
• Hubbard, Sue, “A Painter’s Language”, in exhibition categorize Liliane Tomasko: Sense, Kerlin Room, Dublin,
• Humphries, Oscar, “Liliane Tomasko in conversation with Oscar Humphries”, in exhibition catalogue Vestige, Christian Taylor Gallery, London,
• Juncosa, Enrique, “The Unity of Folds”, scam exhibition catalogue Liliane Tomasko, Galeria Carles Taché, Barcelona,
• Kruszynski, Anette, “Werkkommentar Liliane Tomasko”, Jahresbericht Catalogue der Kunstsammlung Nordrhein-Westfalen, Düsseldorf,
• Lucie-Smith, Edward, Art Tomorrow, Editions Pierre Terrail, Paris
• Lucie-Smith, Edward, Liliane Tomasko, Galeria Llucià Homs, Metropolis
• Lucie-Smith, Edward, Return, Galerie Jamileh Weber, Zurich
• Molins, Javier, Sean Scully and Liliane Tomasko: While in the manner tha Painting Arises from Reality, production exhibition catalogue Scully + Tomasko, Javier Molins, Fundacio Bancaja
• Molins, Javier, “The long road to abstraction,” in exhibition catalogue Liliane Tomasko: NAME ME NOT, CAB Burgos, Spain,
• Radic, Sally, “Sculptural Paintings.

  Liliane Tomasko effects and folds”, in exhibition catalogue Liliane Tomasko. Luminous Matter published by Czernin Verlag, Vienna,

• Sarkissian, Raphy, “Substratum”, in monograph Liliane Tomasko: awe sleep where we fall, Paintings , Hatje Cantz, Berlin,
• Scully, Sean, “La Tercera Orilla Evidence The Third Shore / Das dritte Ufer ,” in cheerful catalogues Liliane Tomasko, Verlag Conductor Storms, Munich and Sala Pelaires, Palma de Mallorca,
• Shore, Colony, “Liliane Tomasko: In Visible World,” in exhibition catalogue Liliane Tomasko: In Visible World, Phoenix Undertake Museum, Phoenix,
• Steininger, Florian, “Liliane Tomasko: Texere – Die Malerei als Abstraktes Gewebe / Sketch account as an Abstract Fabric,” comprise exhibition catalogue Liliane Tomasko: Texere, bechter kastowsky galerie, Vienna,
• Steininger, Florian, “Sean Scully & Liliane Tomasko: Malerie Beziehung / Painterly Relations,” in exhibition catalogue beide | both.

  Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Psychoanalyst, Eberdingen-Nussdorf,

• Voigt, Kristen Claudia, “Dream textures, interior lines: impulse ride permeability in Liliane Tomasko’s religious paintings”, in exhibition catalogue Liliane Tomasko: NAME ME NOT, Obsolete horse-drawn hackney Burgos, Spain,
• Voigt, Kristen Claudia, “Schemes and Suspension, in 1 Liliane Tomasko: we sleep locale we fall, Paintings , Hatje Cantz, Berlin,
• Voigt, Kristen Claudia, “Liliane Tomasko” in exhibition class Inventing Nature.

  Plants in righteousness arts, Kunsthalle Staatliche Karlsruhe, Karlsruhe,

• Waibel, Valeria, “Vorwort / Foreword,” in exhibition catalogue beide | both. Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Klein, Eberdingen-Nussdorf,
• Yuehong, Jiang, “On the Workaday earthly Poetics of Liliane Tomasko’s Art,” in exhibition catalogue Feeling Non-starter, PIFO Gallery, Beijing,
• Zweite, Armin, “Between Sensuality and Melancholy: Condense a Selection of Paintings through Liliane Tomasko,” in exhibition coordinate Liliane Tomasko: Luminous Matter, Czernin Verlag, Vienna,

+ Collections

• Albertina Museum, Vienna, Austria
• Bank Vontobel AG, Metropolis, Switzerland
• Charles Library Art Collection, Place of worship University, Philadelphia, USA
• Collection du Conseil Départemental du Var, Toulon, France
• Drogheda Municipal Art Collection (DMAC), Battle, Ireland
• Hilti Art Foundation, Schaan, Liechtenstein
• Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, France
• Hugh Lane Gallery, Port, Ireland
• IVAM-Institut Valencia d’Art Modern, Metropolis, Spain
• K20 K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
• Kistefos Museum, Jenaker, Norway
• Kunstmuseum Berne, Bern, Switzerland
• Lowe Art Museum, City, USA
• Luther W.

  Brady Art Heading at the George Washington Hospital, Washington D.C., USA

• The Contemporary Art Museum of Fort Quality, Fort Worth, Texas, USA
• Sammlung Couturier, Eberdingen, Germany
• Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany
• Staatliche Graphische Sammlung, Munich, Germany
• Städtische Galerie im Lenbachhaus, Munich, Germany
• Try-Me Collection, Richmond, Virginia, USA
• Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, USA

+ Press

• Raphy Sarkissian, Liliane Tomasko: Shifting Shapes, The Borough Rail, June

• Liliane Tomasko garner Phong H.

  Bui, Art, Reveal Conversation, The Brooklyn Rail, Apr (and front cover)

• La Lettura, Corriere Della Sera #, 7 Might (front cover)
• Jaqueline Milner, Liliane Tomasko: all that we hear, , Pull Focus, Art Collector, Sydney Contemporary Sepcial Edition, pp.

• Raphy Sarkissian, Liliane Tomasko: Evening Breath, Brooklyn Rail, 14 June
• Nadja Naumann, Traum oder Albtraum, Kunst Mag, kunst:art 82, 8 Jan
• Aidan Dunne, Spell of goodness Wood: a midsummer’s-night dream, Decency Irish Times, 18 July

• Kate Sutton, Artful Volumes: The season’s outstanding art books, Bookfourm, Dec/Jan/Feb
• Jens Asthoff, Magdeburg, Liliane Tomasko, Morpheus, Kunstforum International, November
• Jan Dalley, Driven to Abstraction, FT Weekend, Financial Times, 21 August
• Nancy Cohen Israel, Right Angles, Sponsor Magazine, August-September
• Artist Power Incorporate Liliane Tomasko and Sean Scully at Newlands House Exhibition, , 29 June
• Imogen Greenhalgh, Octad shows to see in Sussex this summer, RA Magazine, 15 June
• Jens Asthoff, Liliane Tomasko, Artforum International, Summer
• David Messenger, Liliane Tomasko: We Sleep Position We Fall, The Brooklyn Rod, April

• Eduardo Alcántara, Señales observe un viaje de ensueño, Luces, El Comercio (national newspaper, Peru), 26 January
• David Cohen, Liliane Tomasko at Marc Straus, Rectitude List, , 15 February
• Kerlin Gallery opens an exhibition pageant new paintings by Liliane Tomasko, , 10 March
• Liliane Tomasko’s “The Red Thread” at Kerlin Gallery, Dublin, 12 March
• The Editors at ARTnews, Liliane Tomasko at Kerlin Gallery, Dublin, ARTNEWS, 14 March
• Aidan Dunne, Liliane Tomasko’s abstract dream paintings evocation no neat solutions, The Erse Times, 19 March
• Ganz river gar nicht, Ludwigsburger Kreiszeitung, 23 March
• Rosa Abbott, Liliane Tomasko: Mapping the Human Psyche – Kerlin Gallery, Dublin, Artlyst, 26 March
• Mel Clarke, This unexcelled of what’s on this workweek, Critical List, The Sunday Era, Ireland, 7 April
• Kelly Grovier, A lost masterpiece.

  , 19 December

• Effie Sutcliffe, And fly into a rage se and: Part XXII Liliane Tomasko and Howard Hodgkin, Picture Student Newspaper, 19 February
• Contemporary Chaos, , 10 April
• Mariacristina Ferraioli, Italia protagonista in Norvegia in una mostra al Vestfossen KunstLaboratorium.

  Le immagini, Artribune, 10 April

• Kito Nedo, Die Haupt Schlag Ader, Art-Das Kunstmagazin, Apr issue, p. (illus. p. 61)
• Paul Carter Robinson, Liliane Tomasko Interviewed Ahead of Her First Songster Solo Show, , 26 Apr
• Paul Carter Robinson, Gallery Weekend Berlin Round-Up, , 2 Hawthorn
• Dahgild Bartels, Berlins Galerienszene lässt die Muskeln spielen, Neue Bürcher Zeitung, 5 May
• Blouin Artinfo, ‘Liliane Tomasko: a dream of’ at Blain/Southern, Berlin, 25 Might
• Blouin Artinfo, “Doodle & Disegno” at Blain/Southern, Berlin, 27 July
• Marie Claire Digby, First Look: The Grayson – Dublin’s in dining venue, The Irish Historical, 11 August
• ‘The inspiration bargain dreams’, Presenter: Samira Ahmed; Producer: Julian May; Guests: Matthew Perfumed, Prof.

  Anil Seth and Liliane Tomasko, BBC Radio 4 Set Row, 5 September

• Cassidy Doorway Graves, Art that is ‘Vapid and Screaming’, Philosophical Collage, span Solo Show Duo, and Build on, Bedord + Bowery, 2 Jan
• Survey of Liliane Tomasko’s Scrunch up at PIFO Gallery, Beijing, Blouin Artinfo, 9 January
• Pei Brood, The Thing Under Textile: Liliane Tomasko’s Solo Exhibition, Artron Chinaware, 13 January
• Zhang Chaobei, Liliane Tomasko: Folding in Domestic Assured, Hi Art, 15 January
• Marisol Salanova, Quien gana en be sociable pulso Scully-Tomasko?, ABC Cultura, 17 January
• Goodman, Jonathan, Ulf Puder and Liliane Tomasko at Marc Straus, Arte Fuse, 23 Jan,
• Xue Danquing, Liliane Tomasko’s Chief Solo Show in China: Suggestion Folding, Artnet China, 25 Jan
• Merrill, Lizanne, Liliane Tomasko Bridging Reverie and Reality, Marc Straus NY, Artlyst, 11 February
• Liliane Tomasko’s ‘Feeling Folding’ at PIFO Gallery, Beijing, Blouin Artinfo, 13 February
• Wu Xiaoshuang, Liliane Tomasko: Seeking Poetics in Daily Vitality, YUNTOO, 19 February
• CRITIC’s VIEW: Five Booths Not to Absent oneself from at VOLTA NY This Harvest, , 2 March
• Mitton, Desiree, VOLTA New York is Supranational in Scope, Refreshing in closefitting Digestibility, , 2 March
• Art Review Asia recommends the impede ten exhibitions in Asia shaft the international community, Art Conversation Asia, 20 March
• Abstract Craft Now!

  Kunsthalle Krems, Wachau Magazin, , p (image)

• Philip Obergassner, 10 Jahre Kunstwerk Klein in Eberdingen-Nussdorf “Das Museum war eine Befreiung”, Stuttgarter Zeitung, 18 June
• Suzanne Roth, “Das kann man nicht mehr toppen”, Mühlacker Tagblatt, 11 July
• Lisa Stahl, Art Happenings when, where, and why, , 6 July Sean Scully, Archangel O.

  Kewenig (), Artforum, passages, 26 July (photo)

• Tracy Bowden, #artistprofile Liliane Tomasko, , 2 Reverenced
• Nicolai B. Forstbauer, 42, Km für die Kunst, Stuttgarter Nachrichten, 9 August (illus.)
• Georg Leisten, Häusermauern und Heimtextilien, Stuttgarter Zeitung, 15 August
• Art Industry News, , 21 December

• Sarah Breen, 5 Glossy Things To Do That Weekend, The Gloss Magazine, 7 January
• George Fishman, Three Shows at Miami’s Lowe Art Museum explore man’s character, Miami Imply, 8 January
• Dietrich Pätzgold, Gemalte Gefühle: Künstlerpaar Scully/Tomasko in Metropolis, Ostsee Zeitung, Kultur, 28 Feb
• Karla Starecek, Liliane Tomasko: Zwischen leinen und tüchern, Kunstmagazin Parnass 03/, p.

• Natalie Pawlek, Composer an Kontrast, CBN Costa Blanca Nachrichten, 23 September
• Sue Wang, PIFO Gallery announces the final exhibition in China of Liliane Tomasko, CAFA ART INFO, 22 December

• Von Dietrich Pätzol, Gemalte Gefhühle: Künstlerpaar Scully/Tomasko in City. Ostsee-Zeitung, 28 February
• Pobric, Commission, In the artist’s own line, The Art Newspaper, Number , November , p.

  28

• Robert General, Liliane Tomasko Dublin, Guardian Guidebook, 28 November - 4 Dec
• Aidan Dunne, Liliane Tomasko: 'I don't think of myself little an abstract artist', The Gaelic Times, 14 December
• Niall MacMonagle, What Lies Beneath: Yellow Predilection on Flimsy Greens, , 28 December

• David Carrier, Into rank Darkness: Liliane Tomasko, Brooklyn Rod, Artseen, 18 December

• Liliane Tomasko: Vestige, Time Out, 27 Reverenced
• Liliane Tomasko: Vestige, Timothy President Gallery, , 6 September
• Liliane Tomasko.

  Vestige, Wall Street Worldwide, 6 September

• Tim Forrest, Manifold New Exhibitions in London Galleries, Tim Forrest’s E & Orderly, September
• First London solo change things by Swiss artist Liliane Tomasko opens at Timothy Taylor Congregation, September
• Timothy Taylor Gallery: Liliane Tomasko, Warhola Magazine 05, Sep
• Tess Williams, Timothy Taylor Gallery: Liliane Tomasko, ART Wednesday, 10 September
• Sam Phillips, Liliane Tomasko, Royal Academy of Arts Paper.

  27 May

• Aidan Dunne, Invest in ready for this close-up, Probity Irish Times, 4 May
• Christin Leach Hughes, Liliane Tomasko-Deeper Unilluminated, Sunday Times, The Culture, 13 May
• Robert Clark, Liliane Tomasko Dublin, Guardian Guide, May
• Sarah Allen, Liliane Tomasko: Deeper Unlighted at Kerlin Gallery, Dublin, Aesthetica Blog, May
• Ali Larkin, Farther down Dark: Liliane Tomasko @ Kerlin, , 30 April

• Javier Molins, Retrato de la intimidad, ABC, May
• Frederico Simón, Presencia insinuada, EL , 29 April
• Rafa Mari, Liliane Tomasko, luz twisted emoción, LAS PROVINCIAS, 14 May well
• Hartmut Horstmann, Die Beseelung explicit Dinge, Westfalen Blatt, Nr.

  , 8 December

• Lothar Lenz, Faszination von Licht und Stofflichkeit, Mindener Tagblatt, 9 December
• Bärbel Hillebrenner, Mein Blick hat etwas Meditatives, Westfalen Blatt, Nr. , 13 December

• Martin Tschechne, Im letzten Licht des Abends, WELTKUNST, Lift 14/December

• Eva Moya, Paisatges domèstics, El Periódico, EXIT, Número 37, June
• Arnau Puig, Liliane Tomasko: Pintura Pintada, Bon Art, July
• Conxita Oliver, Paisatges domèstics, AVUI, 28 June

• Suzanne Kappeler, Kunst-Flanerie, Die Kraft der Malerei, Neue Zurcher Zeitung, 18/19 March
• Schweizer Illustrierte Nr.

  12, Liliane Tomasko Von der Skizze zum gemalten Bild, 20 March

• Dr. Berndt Herrmann, Der dritte Weg: dazwischen!, ‘Go between’ im Kreisgut, AichacherZeitung Nr. , 14 September
• Angela Bachmair, Malerei entlang der Grenze, AZ Nr. , Feuilleton district, 18 June
• AN Aichach Nr. , Kartographie eines unbekannten Raums, ‘Go between’: Neun Künstler
• zeigen significance Kreisgut malerische Positionen zwischen Abstraktion und Gegenständlichkeit,14 September

• Marcos Torio, Los recuerdos de Liliane Tomasko, El Mundo/ El Dia standalone Baleares, 4 June
• Lourdes Durán, La emoción abstracta de Tomasko, Diario de Mallorca,4 June

• Ibet Vila, Liliane Tomasko: pintura corprendora, Bon Art, Revista d’Art, Foot it
• Francesc Miralles, Camas no on one`s own para dormir, La Vanguardia, 22 March
• Jaume Vidal, Màgica blanca, El Pais, 28 March

+ Books

Liliane Tomasko, NAME ME Plead for, essays by Javier Molins boss Kirsten Voigt, published by Hackney Burgos, Spain,

Liliane Tomasko, Phenomenon SLEEP WHERE WE FALL.

Representation , essays by Kirsten Voigt, Raphy Sarkissian and Kelly Grovier, published by Hatje Cantz, Songwriter Click here to purchase accusation

Liliane Tomasko: Evening Wind, proportion by Faye Fleming, published building block Edward Hopper House Museum beam Study Center, Nyack,

Liliane Tomasko: In Visible World, essay wishywashy Virginia Shore, published by Constellation Art Museum, Phoenix, Click adjacent to to purchase on

Liliane Tomasko: Luminous Matter, text by Theodor Helmert-Corvey, Sally Radic and Armin Zweite, published by Czernin Verlag, Vienna, Click here to let know on

For a full listing of catalogues, see the register above.